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Page 1
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PROGRAM
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The program will be announced
by Mr. Radford and will be selected from the
following traditional Flamenco
repertoire:
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SOLEARES
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Profound Cante Hondo (deep
song) of the Spanish
Gypsies
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TARANTAS
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Mournful lament of the
Andalusian miners.
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BULERIAS
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Highly improvisational
rhythmic dance music, often eliciting
hand clapping (palmas) and
oles.
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ALEGRIAS
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One of the most common
dances encountered at festive Flamenco
gatherings.
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ZAMBRA
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A
spellbinding ode tracing its Moorish
roots back to medieval
times.
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GRANADINAS
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Romantic melodies evoking the
sparkling fountains of
Granada.
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MALAGUENA CON
VERDIALES
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A
lively dance rhythm of
Malaga, often heard with
castanets.
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RONDENA
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Haunting Gypsy
harmonies capturing the
first moments of
dawn.
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RUMBA
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A Gypsy dance rhythm
popular world
wide.
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SEGUIRIYA
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A
melancholy expression from the depths
of the Gypsy
soul.
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GUAJIRA
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An
infectious rhythm suggestive of
the Caribbean.
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FARRUCA
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A
masculine dance rhythm with strong
accents.
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TANGO
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A
popular form evolved from the
Moorish Zambra.
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Page 2
FLAMENCO GUITAR: “A miracle of
natural art.”
A lone guitarist sits on the
stage. Equipped with only
six silent strings and his love and respect for an ancient
folklore, he weaves a musical tapestry recognized the world
over as Flamenco - the heartbeat of
Spain.
Flamenco is
the traditional folk art of Southern Spain, where singing,
dancing and guitar playing are a way of life.
It is a distillation of centuries
of cultural influences in Spain, from the religious chants of
the Moslems and Jews to the songs and dance rhythms of the
Spanish Gypsies whose ancestral home was Northern India.
The blending of Oriental and
Western styles gives Flamenco music an incredible range of
expression.
Flamenco guitar solos are of comparatively recent origin. By
the early 1900’s the Gypsies had fashioned an unwritten guitar
music, which according to the great Spanish composer Manuel De
Falla, is “
One of the miracles of natural art.”
In this concert art form, the guitarist develops variations on
themes as well as spontaneous improvisations within the strict
traditional patterns of the Flamenco songs and dances. The solo
artist combines classical guitar techniques with intricate
Flamenco rolls, finger percussion, and syncopated strumming.
These distinctive techniques serve to illuminate the authentic
mood and emotions of each palo or song form. Mr. Radford
follows the musical wisdom of the Spanish Gypsies who taught
him, “One must have the music in his heart before he can play
it on the strings.”
The great Mario Escudero said, “
Flamenco is an unlimited art whose boundaries can be constantly
extended if proper care is taken to preserve the purity of the
styles and rhythms. Flamenco is not a mystery; it is an art.
Like all arts, there are no mysteries which study and
dedication will not reveal to those who love
it.”
When performed
by a master guitarist, this elegant and noble art has a
compelling impact. It is
accepted in concert halls around the world because, like all
great art forms, Flamenco evokes those human emotions, from
pathos to joy, shared by all mankind.
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